Julian Lucas

Hervé Guibert

“Death Sentences,”  The New Yorker, September 14, 2020:
A frail young man shadowboxes to Technotronic & MC Eric’s “Tough.” Clothes hang loose on his uncoöperative body, which sways with each tentative punch. There’s nobody else in the room, but a mannequin and a stuffed monkey look on. Cut to a spinning shot from the man’s perspective—a blur of paperbacks and floral carpeting—and then a bathroom’s wreckage of medicine. He dissolves a tablet in a cup and looks at himself in the mirror. One senses that he hasn’t left home in a long time.