Julian Lucas

New Books (Gates, Eagleton, Flores)

Reviews of Henry Louis Gates Jr.’s “Stony the Road,” Terry Eagleton’s “Humour,” and Fernando A. Flores’s “Tears of the Trufflepig.”

“New Books (Gates, Eagleton, Flores),”  Harper’s, May 1, 2019:
There’s a healthy dose of carnival in Fernando A. Flores’s Tears of the Trufflepig (FSG Originals, $16), a trippy debut novel set in a dystopian near-future South Texas. In this CRISPR-age bender that reads like a cross between Philip K. Dick’s *Do Androids Dream of Electric Sheep?* and a *narconovela*, drugs are legal and the cartels sell exotic animals generated via “filtering,” a technology for customizing and cheaply manufacturing organic life. Amid worldwide starvation and mass extinction, filtering produce has become a necessity. Filtering animals, however, is a glamorous crime. Instead of El Chapo, the verses of popular corridos exalt El Gordo Pacheco, a kingpin who kidnaps renowned scientists and forces them to engineer chimeras—silver-coated “moonfoxes,” ivory-billed parakeets—for black-market connoisseurs.