Julian Lucas

New Yorker

Branden Jacobs-Jenkins

A profile of the playwright as his “Appropriate” heads to Broadway. (“Shamelessly Dramatic,” The New Yorker)
Branden Jacobs-Jenkins

Teju Cole’s “Tremor”

A review of the writer and photographer’s new novel about appropriation and the ethics of portrayal. (“Long Exposure,” The New Yorker)
Teju Cole’s “Tremor”

Mohamed Mbougarr Sarr

A review of the Goncourt-winning novel “The Most Secret Memory of Men.” (“Absence Africaine,” The New Yorker)
Mohamed Mbougarr Sarr

Maya Binyam’s “Hangman”

A review of the debut novel about an expatriate’s homecoming. (The New Yorker)
Maya Binyam’s “Hangman”

ADG7’s Shamanic K-Folk

A “Talk of the Town” about the k-folk group inspired by traditional spirituality. (“Mudang Chile,” The New Yorker)
ADG7’s Shamanic K-Folk

Samuel R. Delany

A profile of the polymathic science fiction writer, memoirist, essayist, and theoretician of sex and queer identity. (“Galaxy Brain,” The New Yorker)
Samuel R. Delany

Video Games at the Museum

A review-essay on art museums’ efforts to exhibit video games, as well as digital efforts to curate the best of the medium. (The New Yorker)
Video Games at the Museum